Published by the American Anti-Slavery Society, this single 77 by 55 centimeter sheet tells multiple stories in both text and illustration.

Digitization allows researchers to trace editorial and authorial changes in archival content. Both are central to the study of this famous abolitionist pamphlet.

Keckley’s decision to write about her employers from the viewpoint of a household laborer—she was seamstress to Mary Todd Lincoln—enraged audiences.

In her new column, Dorothy Berry offers an inside look at the work of the digital archivist, while highlighting forgotten figures in Black print culture and public life.

A Black Bohemia flourished in New York before the Harlem Renaissance and with it a new type of self-determined, contradictory Black celebrity.